1. By default, clicking and dragging across a blank part of a page draws a selection marquee.
2. Use the buttons in the Status Bar to switch from the Marquee Select Tool to the Hand Tool.
3. Use H to switch between the two tools.
4. Hold down Shift to temporarily reverse the behaviour.
5. Set your preferred default in Preferences.

1. In Setup mode, use the button at the bottom of the Layouts panel to add a new full score layout.
2. Rename the layout to distinguish it from your existing full score.
3. Open Layout Options, ensuring you are looking at the settings for the correct layout that you have just created.
4. On the Page Setup page, select an appropriate page size for your pocket edition; reduce the space size so that the music fits comfortably. You may need to try a few different settings to find the best combination.
5. The page and music frame margins can be reduced to remove some of the white space around the edge of the page.
6. Enable condensing on the Players page, and include section players where relevant.
7. On the Vertical Spacing page, the Staff Visibility section contains the option to hide empty staves, though it is generally a good idea to show all staves on the first page, so the reader can see the full instrumentation for the piece.
8. Once your new option settings have been applied, you can view your new layout by selecting it using the popup menu control at the top of the main Dorico window.

1. Additive time signatures show how bars are subdivided into beat groups. You can show beat group numerators for any type of time signature. For example, instead of 7/8, you could show an additive time signature of 2+3+2/8.
2. An alternating time signature indicates a regular pattern that switches every bar between two or more time signatures, in the indicated order. For example, for a phrase with twelve eighth notes that needs to be emphasized 3+3+2+2+2, an alternating time signature of 6/8+3/4 might allow the two meters to be read more clearly.
3. An aggregate time signature shows two or more meters within the same bar, such as 2/4+3/8+5/4. Dorico Pro automatically shows dashed barlines to indicate the divisions between the different meters, but you can also specify that you do not want to show dashed barlines when you input aggregate time signatures with the popover.
4. An interchangeable time signature indicates a set of time signatures at the start of the piece that can be used during the piece, such as 3/4–2/4. Unlike alternating time signatures, interchangeable time signatures do not require a fixed pattern; any bar in the piece can follow any of the time signatures in the set without having to restate the time signature. You must manually input the appropriate time signatures where you want them, as unlike alternating time signatures, there is no fixed pattern for them. Any time signatures you input that are specified in the interchangeable time signature are hidden automatically.

1. By default, when you have created an item using the mouse, the pointer is cleared so you can continue with your work.
2. Sometimes it can be useful to be able to create multiple items of the same type immediately after one and other without having to click the item in the music palette each time.
3. There is a preference that allows you to do this in Dorico, found on the Note Input and Editing page. Check the option to ‘Allow multiple items to be created with the mouse’ to enable it.
4. Now when you click to create an item in the music, your mouse pointer is reloaded with another item of the same type, so you can click to add that item at multiple locations across your score.
5. This is available with many different types of music item, from dynamics to ornaments, playing techniques to barlines, and so on.

1. Start by modifying the Paragraph Style for bar numbers. Check you are using the style for the score, and not for the parts.
2. Then use Layout Options to position the bar numbers in the score layout.
3. You can choose the frequency of bar numbers, whether to show them in the centre of the bar, and you can also display them in an enclosure, such as a circle or rectangle.
4. You can choose to display bar numbers at the top and/or bottom of the system, but also above any instrument.

1. It’s easy to paste music into either an existing voice or a new voice.
2. Copy the music in the usual way.
3. Select a note, rest or other music item at the rhythmic position you would like the pasted music to start.
4. Right-click and choose Paste Special, Paste Into Voice, and then either choose and existing voice, or a new voice.
5. When choosing a new voice, you can specify whether the voice being created for the music will be nominally up-stem or down-stem. You can also choose to paste the music into a new slashed voice.

1. 1. Add a border to a text item using a property.
   2. Add a border to a paragraph style.
   3. Add a border to a line annotation.
   4. Add a border to a text frame.

1. Dorico automatically spaces your music using Layout Options to prevent items colliding, and to make your music look good.
2. Sometimes, you may wish to match staff spacing across multiple pages to create a more pleasing and balanced layout.
3. Use the Staff Spacing tool in Engrave mode to manually space staves and systems for one page.
4. Choose Engrave, Staff Spacing, Copy Staff Spacing…
5. Set the page you have modified, and the pages you wish to be spaced in the same way.

In this week’s #TipsTuesday learn how to use tokens to ensure you always have the current date in your Dorico layouts. Tokens can be used in text frames and even the Project Info dialog, and will substitute the current date and time in a variety of formats.